If I had more time I would love to begin a series entitled ‘Five minute walk’. The name comes from my high school days and refers to a small record label specializing in marginal Christian rock (we all have a past don’t we?). The reason it keeps coming to mind is because of how consistently impressed I am by what I encounter around my home in as little as a 5 minute walk.
This past Friday my wife and I were without child and set out for a walk in the seasonally acceptable but still crisp Fall air. Our original destination was the new coffehouse and gallery Pop Soda’s at Portage and Furby. On the way we noticed that the restaurant Elements in the new UofW science building was open. The restaurant occupies a glassed corner of the building and expands into the larger science complex.
(Unfortunately we did not take our camera so all the pictures to follow were snagged from the web)
The building was a warm and inspiring stop on out walk. But we pressed on to what we thought was our destination. Pop Soda’s is a large eclectic space in contrast to the clean, intentional and modern lines of the science building.
The first time I was at Pop Sodas the place was packed, standing room only as some local artist put on a great folk-pop show. This night things were more low key. Patrons were scattered about engaged in relaxed conversation listening to canned music.
For whatever reason, perhaps we were still a little restless, we decided to walk on and headed up Portage towards Stella’s located in the new Plug In Institute for Contemporary Art.
As we got closer we saw a buzz of people around the entrance and inside the near completely glassed street level. We were fortunate enough to have stumbled on the reception for a new art installation by Lani Maestro entitled, “her rain”. The installation is what I would call a ‘highly conceptual’ work. This means that most of us will be scratching our heads, questioning the entire project of ‘art’ when we first walk through the installation.
And indeed that is part of the experience. The installation is meant to question the manner in which our ‘subjectivities’ are constructed. We are meant to be a part of the work. None of Maestro’s pieces are traditionally ‘framed’. There are not meant to be clear boundaries from which we can objectively evaluate a piece. And to reject Maestro’s approach may well be to reject our willingness to be change, to be ‘touched’. Well, anyway.
We walked over into Stella’s shared a couple of glasses of wine over a waffle, talked about beauty and other such mundane topics. Once finished we stepped and passing through the UofW pedestrian corridor it took us about five minutes to get home.